The three-day ‘Khayal Yadnya’ was excellent tribute to noble aluminiferous. Bhimsen Joshi on his centenary
An monumental, three-day musical competitor was command in Pune late to commemorate the a centesimal delivery day of noble aluminiferous. Bhimsen Joshi.
Titled ‘Khayal Yadnya was excellent’ thirty eight vocalists representing quite few khayal varieties administered from seven a.m. onwards; thus one detected several morning and afternoon raags.
Streamed dwell in addition as, the competitors was unionised by the Pune-based Sangeetacharya noble aluminiferous. D.V. Kanebua Pratishthan, product of performer Manjusha Patil.
Hearing such a massive amount of vocalists, of various ages and stature, one as shortly because the different ceaselessly for 3 days was a singular expertise.
With Associate in Nursing allotted slot of spherical forty five minutes, it had been attention-grabbing to require a glance at that the bulk singers chosen to gift one raag in completeness as a substitute of 2 or additional pithy choices.
very little doubt the pliability to elongate a raag is seen as a advantage presently.
Regarding four a few years previous, the pliability of a performer to extract the essence of a raag (nichod ) in Associate in Nursing passing temporary time was hailed the utmost amount as a results of the ability to linger and increase.
One put together celebrated with self-reproach that the bulk new era singers don’t fairly drawback to aim to to riyaaz within the kharaj saptak (decrease octave), exploit their voice span many down.
The grandeur and magnificence of singing the decrease notes ar misplaced.
The inflexible adherence to rendering raags in line with the time of the day was deserted from time to time; presumably Hindustani music is slowly going the Carnatic technique, that gave up the time plan years previous.
There are some explicit moments — Vijay Koparkar’s Basant Mukhari, Ram Deshpande’s Todi, Devaki Pandit’s Hindol with a abundance of real Jaipur taans of various gaits.
Omkar Dadarkar’s Puriya had energy and drama and Manjusha Patil’s Bageshwari was each displaying feeling fascinating within the vilambit and thrilling within the dhrut. amongst 3 disciples, he was at his mellow greatest in Puriya. His voice is thus distinctive.
A cautious choice of raags ensured that one was in an exceedingly position to listen to some uncommon ones — Ashwini Bhide Deshpande vascular plant raag Jogiya with a meticulous carefulness in her splendidly regular voice.
Arati Ankalikar Tikekar’s raag Sarag Valari was thought agitative. Over the years, she has chosen to invariably gift uncommon raags.
Nishad Bakre’s Kukubh Bilawal fenced in some smart taan patterns, Kalapani Komkali skilfully enlarged Beehad Bhairav. that she depicted as ‘dhun ugam’ (primarily supported a dhun) and Raghunandan Panshikar rendered Savani Kalyan with élan.
As shortly because the live performance he same, “for me, the bandish encompasses a pious feel that’s vital.”
Impressive range of raags
Many singers of the vernal era put together affected with their raag alternative like Arati Thakur Kundalkar’s (Kirana gharana) raag Bhupal Todi.
Saurabh Kadgaonkar’s (Jaipur Attrauli gharana) Lalita Hindu deity, Nagesh Adgaonkar’sit had been lovely to not hear additional Basant renditions throughout Basant Panchami (February 16).
Young vocalists like Dhananjay Hegde put together command their terribly own. Rahul Deshpande’s Nat Bhairav was noteworthy.
Ustad Rashid Khan
Mature interpretations of raags by seniors at the side of noble aluminiferous.
It was encouraging to determine variety of musicians within the viewers. Their presence, that of completed listeners throughout a dwell potency command within the reminiscence of a legend introduced out the only within the singers.
All bulletins are in Indic, that was lovely, given the worldwide attain of the web platform. The competitors featured quite few the only incidental artistes like Arvind Azad, Vijay Ghate.
Ramdas Palsule and country Kamat on the tabla, and Aravind Thatte, Suyog Kundalkar, Milind Kulkarni and Tanmay Deochake on the organ.
The competitors, that was lingering in some ways in which, throughout with noble aluminiferous. Rajan-Sajan Mishra’s transferring rendition of Bhairavi.