Shooting Gallery News

Exclusive Interview: Mike Maxwell

July 3, 2009 · Leave a Comment

Our society is one that spends little time looking back. While we often forget the roots of American culture, Mike Maxwell is right there to remind us. This San Diego based artist studies turn of the century portraits as a means to dissect human relationships, the legacies we leave behind, and the stories we carry with us.

We picked Mike’s brain about his upcoming show, Until the Whistle Blows, at The Shooting Gallery. Read further for the inside scoop on Mike’s tattoos, the benefits of golf, and a snippet of art talk. -The Shooting Gallery

Hooligans

Until The Whistle Blows is a show about the irresolvable past and the wildly unpredictable future.

The theme of the show is based around beginnings and ends, life spans, eras, histories, and legacies. It’s about the things we keep and those things we leave behind.

The title means do what you do until your done. Never say die, live the life, take the ride.

The subjects are farmers, hustlers, thieves, housewives, sisters, brothers, parents, low-lifes, down and outers, working class stiffs, lovers, fighters, movers n’ shakers, do gooders,  money makers and everywhere in between.

I Could Always See the Fire Burning in Your Eyes

The mood is ghostly reminiscences of your past.

I’m interested in how it’s virtually an unconscious process we go through to pick and choose our relationships and the wild ride human relationships can take.

I am inspired by Paul Chatem who is in the show with me; Mike Giant is a continual inspiration as a person and as an artist; Shawn Barber, Damon Soule, Paul Urich, Jeremy Fish, Barry McGee, Margaret Kilgallen, AJ Fosik, my fellow San Diegan artists Kelsey Brookes and Ben Horton, Travis Louie, KMNDZ, Ekundayo, Joshy Clay, Mike Alverez, Andrew Hem, Jeff Soto, Clayton Bros., Adam Flores, and many many more.

Paul Chatem and I have similar stories to tell, so it’s nice to see another artist’s interpretation of corresponding topics.

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I ride my skater with Pete Dog everyday. I don’t surf- I’m not a big fan of cold water or sticky sand.

Pete Dog can make you smile even when you are having a terrible day. It’s crazy- whenever we walk down the street people see him and they just light up, you can’t help yourself.

One thing that drives me crazy is that it’s  impossible to drain him of energy for long. We take a 20 minute full sprint run in the morning and a 20 minute walk at night and still he is ready to charge at a moment’s notice.

I hang out mostly at “The Compound,” restaurants, and at the golf course.

Oh These Chance Encounters

As a kid I thought I would grow up to be a comic strip illustrator. Out of high school I began to teach myself graphic design and I have also tattooed. But all of those pale in comparison for my love of painting.


It Clicked
when I started to work on art full time about 7 years ago.

My goal is to make strong honest work that is meaningful and to continue living this life as I see fit.

The way I see it, as long as you put in the time and effort to make good honest work that is first self fulfilling, then the establishing of yourself will occur organically.

Working Hard to Remember

I had been doing my own work on the street for about a year and Shepard had taken notice, as me and my homie were crushing San Diego every week.

So I started going down to Black Market every now and then to pick up stickers and some posters and to say word and such. I started asking about work and Shep needed a new assistant, and he gave me the job.

I worked and lived with him for 2 years, in which time I soaked up information like a sponge. I tell everyone now that that was my art schooling. It was at that time that I knew I wanted to make art for a living.

The Way She Left

I have been tattooed by a number of different people throughout my life, however Mike Giant is responsible for the majority of the work I have.

They basically tell a narrative of my life so far. Each one clearly reminds me of who I have been in the past and what those moments in time meant to me, as I move forward in this life.

I think very highly of Kelsey Brookes, in fact I think he is the 2nd best artist in San Diego. He is one of those super positive guys that really is living the life.

It’s nice to have another artist in the hood who is really making moves and doing his thing as a full time artist- that seems to be a rarity down here lately.

San Diego is the best place in the world because it’s home.

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For inquiries about Mike’s work, please contact The Shooting Gallery here.

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Exclusive Interview: Paul Chatem

July 2, 2009 · Leave a Comment

Until the Rooster Moans

Paul Chatem is a man who works with his hands. Painting, sawing, cutting, assembling, chopping, sanding, directing, writing and playing are just part of his daily grind. The workday is a beast that Paul knows well; so well that he has devoted an entire show to it.

Until the Whistle Blows, opening July 11th at The Shooting Gallery, explores a post apocalyptic world. One where survivors are still haunted by the workday, slaves to a factory that aimlessly floats the hostile seas.  Each painting in this show is sinister in theme and rich in visual dialogue.

As a prelude to the opening reception, Paul Chatem gave us a personal tour of his new works and the ideology that drives them. -The Shooting Gallery

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“All paid jobs absorb and degrade the mind.” -Aristotle

Destruction The workday is the main destructive force in this show. Nature is hostile in this world, but the main destroyer is definitely manmade.

Industrial Revolution The Industrial Revolution is the root of the age we live in. Social contrasts were more extreme so it makes allegorical stories and characters clearer in the context of the kind of work I like to paint.

Modernity People now go through a lot of the same hardships as back then, but modern living has a lot of trappings that make things easier and many times hide the struggles we experience as workers.

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Credit Just as an example: the credit industry has made it possible for someone with humble earnings to live well beyond the means of their paycheck. Most factory workers back then, by contrast, barely kept a roof overhead and food on the table and had no real credit to fall back on when the money ran out.

I wanted to focus on the kind of folk that didn’t have modern convenience as an option.

Characters It’s just an accumulation of my experience working on crews in the entertainment and construction industries. Bosses, bosses of bosses, crew leaders, and grunt workers. It all follows the age-old hierarchy of the workplace.

Desires I intentionally didn’t include an icon representing the desires of these characters. They desire an escape from the world they live in, and there really isn’t one, beyond dying or- more metaphorically I guess- waking up from the dream/nightmare.

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Nightmare The screaming steam whistle represents the moment of waking.

Dreams My dreams tend to be more vivid than my waking life.

Design I usually tell a very specific story with the shows I put together. This one relies less on that, and more on revealing the environment and icons of this particular world.

Mechanics Heart

Whiskey Because it’s good.

Commercial Work I’ve done some illustration work for magazines, logos and CD designs for independent bands, a few murals, and some scenic painting. I worked doing finish-work on fiberglass sculptures for a while. I worked as a cleanup artist in animation. I’ve been a set dresser, set designer, art director, prop maker, and carpenter.

Table Saw Up until February of this year, I spent twelve hours a day in front of a table saw for the show I worked on.

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Stand Up Bass I started playing in 2000 for a punkrock-influenced bluegrass band called The Barren Foothill Breakdown. Now I play with my brother’s band, Avery James and the Hillandales.

Musical Goal No real goals. It’s a good break and balance to painting. I’m mostly just interested in backing up my brother and writing songs when they come to me. Pretty simple stuff.

Storyetelling I tell the same stories musically as I do visually: people searching for something; folk down on their luck; general drunkenness and chaos.

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Habitat I live in a tiny house on a hill that I share with my girl.

Studio The house is both of our studios. It’s pretty full at the moment.

Best of LA Los Angeles doesn’t really have the kind of places I like to hang out in. If I had to pick, I’d say my backyard with my tortoises and something on the hibachi.

Worst of LA Hard to pick.

Relax Whiskey.

Leisure Either I’m cutting wood to make enough dough to take time off to paint, or I’m playing Bass in my brother AJ’s band. I’m always creating in one way or another.

Hardluck Kid

For inquiries about Paul’s work, please contact The Shooting Gallery here.

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Artist Profile: Greg Gossel

July 1, 2009 · 1 Comment

Kwality Media got personal with Greg Gossel while he installed “Happy Endings” at The Shooting Gallery this month. Tune in for Greg’s thoughts on consumerism and the fall of heroes mixed with a detailed synopsis of his creative process.

Stop by The Shooting Gallery before July 3rd to catch “Happy Endings” in full force.

Also check out this artist profile of AJ Fosik from Kwality Media.

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Ramblin Worker Sews Up a Storm

July 1, 2009 · Leave a Comment

Steve MacDonald aka Ramblin Worker hung out at the gallery today with many stories to tell. He clued us in to these shots of his work hanging in the “Joyride” exhibition for the 2009 Bicycle Film Festival, which is rumored to be in San Francisco soon.

We are also looking out for Steve’s window installation coming to Huf this month followed by a grand solo show at Gallery Three in October. Yet for such a busy guy the quality of his craftsmanship hasn’t skipped a beat.

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See more at Ramblin Worker’s flickr.

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Exclusive Interview: Lafe Eaves

July 1, 2009 · Leave a Comment

Lafe Eaves is anything but a new face around White Walls and The Shooting Gallery. Yet for someone who experiences his work for the first time many questions arise: how does a wolf devour the sun? How does this bear-like creature see with all those worms in his eyes?

Luckily, Ryan Shaffer gets to the bottom of Lafe’s bizarre imagery of in this exclusive interview . Read on for the final word on dead squirrels, Lafe’s legal name, and the effects of LSD on religion.

lafeblog

Ryan Shaffer: Alright, state your name.

Lafe Eaves: Harley Lafarrah Eaves. Keep reading →

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